Hamad Al Henawi

Statement
 
Hamad Al Henawi considers nature as “the mother of all arts” and the most important source of creativity and balance, on both a personal and artistic level
Artist Website: www.alhenawi.com
Social media: Facebook 
Portfolio
Bio

Hamad Al henawi is a trained artist who has studied at the Damascus Faculty of Fine Arts where he went on to earn a postgraduate degree. During these years he was mentored by some of the great pioneers of Syrian art, who in turn studied at a series of European schools in Italy, Russia and France. Henawi was equally impressed with their approach in both the realism and modern realism representations. 

He was initially inspired by classical artists such as Rembrandt and Vermeer, followed by all the impressionists and the expressionists artists Gustav Klimt and Egon Schiele. Contemporary artists such as Lucian Freud also left a big impression upon him. Hamad Al henawi has thoroughly studied all of these artists and their lives but has developed his own method and experience that has distinguished him from others.  Therefore his work is closer to realism but is characterized by an innovative and unique way of receiving reality, whether it be in painting nature or portrait

At the beginning of his artistic career in the years from 1991 to 1994, he worked on a project inspired by the modest Syrian environment where he grew up. He combined in his paintings the natural elements of his regions together with the daily lives of people leaving there.

After 1995, he developed his own technique closer to abstraction and similar like if you would see life through a microscope or a telescope, with this technique he wants to show how life’s forms, no matter how different they may look, are all one.

All his artistic techniques, even in the extreme cases of abstraction are eventually inspired by natural forms. 

After the Syrian revolution of 2011, the artist was also affected by the barbaric scenes he witnessed on a daily basis. He expressed his feelings through his paintings that contained direct humanitarian messages, using new raw materials and elements such as barbed wire, nails, fabric, stones and other three-dimensional materials. He then moved onto a stage overshadowed by the color black which mostly contained a human component, especially in portrait. During that period, he painted a set of realistic portraits that reflected all the contradictions of human emotion like joy, sadness and what he calls blackness and whiteness. It was an attempt to purify ugliness by revealing it and expressing the rejection of the modern man’s brutality all over the world. He shows a humanity who has developed technically, but not morally. It was his way of conveying his message of the enormous man’s failure in Syria, some of the worst trauma humanity has ever witnessed in modern times.

His work condemns the acts of murder and violence that sometimes equate humans with animals. He was also expressing the impact of the shock that the artist suffered from as a result of the everyday violence meted out in his home country by both the regime and the Islamic extremists. It was also his way of expressing his dismay at the lack of intervention by the powerful countries to prevent these horrid atrocities. After many years, the artist felt, just like all Syrians, the disappointment and futility of the situation. To his eternal disappointment, he discovered that art was unable to change anything in this ugly world.  Hamad Al Henawi then returned to painting nature, which he considers “the mother of all arts” and the most important source of creativity and balance, on both a personal and artistic level. This stage is characterized by optimism and hope, which is reflected by his vibrant colors.

Exhibitions
  • 2016 3-5 June – Untitled Art Fair Chelsea Old Town Hall, London (UK)
  • 2016 - Dubai symposium lll edition( Dubai )
  • 2015- dubai symposium ll edition( dubai )
  • 2015 - aroma Istanbul symposium (turkey )
  • 2015 - the Rome symposium ( Italy)
  • 2015 - dubai- world art (dubai)
  • 2015 - Sharjah museum – the Annual exhibition
  • 2014 - sharjah museum annual exhibition
  • 2013 - opera house ( Egypt Cairo)
  • 2013 - Ayyam gallery –Dubai
  • 2012 - Doha Qatar (Qatara)
  • 2009 - Beaux arts gallery - Dubai
  • 2007 - Bride of Asia - London
  • 2004 / 2006 - movable Exhibition in Dubai city for Dubai festival
  • 2001/ 2002  - portrait exhibition, Sharjah museum
  • 2000/2003 - The Annual Exhibition for the Emirates Fine Arts Society
  • 1999 +2000 - The Annual museum Exhibition, Damascus, 2000 + 2001
Highlights
  • 2001 - Second prize of the portrait exhibition Uae